MEDIA // YVONNE GEORGI: Tagebuch und Dokumente zu Tanztourneen mit Harald Kreutzberg (1929–1931). Eine andere Recherche zu den Potentialen einer kritischen Nachlassforschung

PUBLICATION // YVONNE GEORGI: Tagebuch und Dokumente zu Tanztourneen mit Harald Kreutzberg (1929–1931). Eine andere Recherche zu den Potentialen einer kritischen Nachlassforschung

Click here to purchase or download a free excerpt from Yvonne Georgi: Tagebuch und Dokumente zu Tanztourneen mit Harald Kreutzberg (1929–1931), edited by Yvonne Hardt and Frank Manuel Peter in collaboration with Luke Aaron Forbes, Katharina Geyer, Dwayne Holliday, Sandra Paulkowsky, and Anaїs Emilia Rödel. I contributed to the book a chapter titled, “A Star Is Born: Zur Starpersönlichkeit von Yvonne Georgi in Presse- und Selbstdarstellungen”.

PUBLICATION // AUSTRALASIAN DRAMA STUDIES (ADS) JOURNAL, No.73 – Turangawaewae: A Place to Stand in Contemporary Indigenous Performance in Australasia and Beyond

Click here to access the table of contents of the ADS Journal’s special issue, Turangawaewae: A Place to Stand in Contemporary Indigenous Performance in Australasia and Beyond, edited by Nicola Hyland, Liza-Mare Syron and Maryrose Casey. My article, “Choreographed Pasts: A Historiographic Inquiry into Australian and Indigenous Australian Concert Dance,” can be accessed by ADS Association (ADSA) members and through most university library subscriptions.

MEDIA // RUNWAY – Australian Experimental Art, No.36

PUBLICATION // CONTACT QUARTERLY, Vol.43 No.1

The journal article “Sara Shelton Mann: In the Presence of Action”, orchestrated by Anya Cloud, Karen Schaffman, and Sara Shelton Mann with research and editing assistance from Luke Forbes, was recently published in Contact Quarterly.

Sara Shelton Mann grew up in rural Tennessee. At age 17, arts, politics, and culture collided for her under one roof at Shorter College in Georgia. “I was just a southern hick running away from the people I grew up with. Franziska Boas, a queer German-Jewish woman, a professor who was wanted by the Ku Klux Klan, was my lifeline.” At the advice of Franziska, Sara moved to New York City with $500 in her pocket to study with Alwin Nikolais in order to become, as Sara calls it, “a complete professional.” And she did. At the age of 74, Sara is a blazing force; she is actively and ardently researching, choreographing, performing, and teaching.

To read the article, please click here.