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Booklaunch! Am kommenden Sonntag um 15h wird unser Buch "Yvonne Georgi" im Tanzarchiv Köln vorgestellt. Georgi, berühmte Mary Wigman Schülerin, war eine beeindruckende Frau und Künstlerin, die selbstbewusst ihrer großen Leidenschaft folgte. Neben einem spannenden Gespräch gibt es ebenfalls eine Tanzperformance. #yvonnegeorgi #tanzarchivköln #wienandverlag #kunstinbüchern #performance #marywigman #köln #choreography #tanzen #20s #goldentwenties
Click here to read my review of Dancing Under the Southern Skies: A history of ballet in Australia by Valerie Lawson.
Thanks to Monah Graduate Research Office for awarding me the Vice-Chancellor’s International Inter-Campus PhD Travel Grant, a one-off travel grant to subsidise a visit to one of Monash University’s international locations. This is an opportunity for me to meet and collaborate with like-minded researchers and to develop my own global research network.
Thanks to Australian Book Review, which, following a writing masterclass led by its editorial team, offered me the coveted opportunity to contribute a review to the forthcoming December issue. ABR writes, “[t]he most recent masterclass concluded on August 20, just as we were going to press. All the participants are encouraged to submit a review or Op-Ed piece for consideration by the editorial team, so that we can award two paid commissions. As happened last time, the quality was so high we ended up tapping four PhD students: Merav Fima (Literary and Cultural Studies), Luke Forbes (Theatre Performance and Music), Christine Lambrianidis (Theatre Performance and Music), and J.R. Burgmann (Literature and Cultural Studies) […] We look forward to publishing this talented quartet in coming months.”
See ABR‘s “News from the Editor’s Desk – September 2019” here.
Click here to purchase or download a free excerpt from Yvonne Georgi: Tagebuch und Dokumente zu Tanztourneen mit Harald Kreutzberg (1929–1931), edited by Yvonne Hardt and Frank Manuel Peter in collaboration with Luke Aaron Forbes, Katharina Geyer, Dwayne Holliday, Sandra Paulkowsky, and Anaїs Emilia Rödel. I contributed to the book a chapter titled, “A Star Is Born: Zur Starpersönlichkeit von Yvonne Georgi in Presse- und Selbstdarstellungen”.
Click here to access the table of contents of the ADS Journal’s special issue, Turangawaewae: A Place to Stand in Contemporary Indigenous Performance in Australasia and Beyond, edited by Nicola Hyland, Liza-Mare Syron and Maryrose Casey. My article, “Choreographed Pasts: A Historiographic Inquiry into Australian and Indigenous Australian Concert Dance,” can be accessed by ADS Association (ADSA) members and through most university library subscriptions.
Many thanks to the symposium’s conveners, Amanda Harris, Linda Barwick, Jakelin Troy, Matt Poll, for the last-minute invitation to present a paper at the University of Sydney’s Sydney Conservatorium of Music on 13 December 2018.
Further information about the symposium, participants, and an associated research project can be found online here.
Many thanks to the International Australian Studies Association (InASA) for the opportunity to share my research at their biennial conference, hosted by the University of Queensland’s Institute for Advanced Studies in the Humanities from from 3-5 December 2018.
See the published programme at: https://iash.uq.edu.au/inasa-2018
Many thanks to the International Federation for Theatre Research (IFTR) for allowing me to present my paper “Expansive choreography: (de)coloniality and spatiality in Australian and Indigenous Australian concert dance” at the IFTR’s 2018 World Congress in Belgrade, hosted by the Studio-Laboratory of Performing Arts of the University of Belgrade, Faculty of Dramatic Arts from 9-13 July.
See the published programme at: https://www.iftr.org/media/3408/iftr-2018-program-book-internet-version.pdf